21st Century Band and Izaline Calister now part of The Pure Jazz Movement in Holland

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The 21st Century Band of Dion Parson and Curaçao’s Izaline Calister were just in Holland sweating it out before going on stage at The Pure Jazz Movement.  The 21st Century Band helped Kick Off The Pure Jazz Movement at the Theater aan het Spui (Spui Theater) in The Hague on Saturday, September 12, 02:00pm Caribbean time. Calister was one of those capping off the Movement on Sunday 13.

One of the finest drummers around, this St. Thomas born musician rallied a seven-piece band around him for the gig. In the line up, was Parson‘s countrymen in trombonist Reginald Cyntje and pannist Victor Provost.

Provost (far left), Parson (center) Cyntje (second from right)

Provost (far left), Parson (center) Cyntje (second from right)

As an aside, trombonist Reginald Cyntje headed back under the lights at 08:30pm on Friday, August 28, 2009 with Thad Wilson.  The show took place at Twins Jazz at 1344 U St. NW,Washington, DC.

Next up for Cyntje was a gig with the D.C. Jazz Collaborative at the Amin Gumbs Harman Center at 610 F St. NW, Washington at 11:00pm on Saturday, August 29.  Performing with Cyntje were panman Victor Provost and bassist Herman Burney.

Victor Provost on Facebook – had a great show tonight…the room was beautiful, audience was engaged, listening, and appreciative. Thanks to those of you that came out!

Cyntje and Provost then flew off to Holland to hook up with Dion Parson and the 21st Century Band for the September 12 performance.

September 19, it was back to the Bohemian Caverns on 2001 11th St. NW, Washington, DC for an 08:00 o’clock with the Reginald Cyntje Nu Group.  TheNu” Group is Cyntje (trombone), John Lamkin 111 (drums), Victor Provost (steel pan) and other fine musicians.

Reginald Cyntje has another couple of shows coming up. One is on September 21, 2009 at Vicino in Silver Spring, MD, the other on September 25 at Metro Macy, Washington, DC.

Come November, Cyntje will be in the United States Virgin Islands where he grew up to continue playing the groove.

Calister, who is taking a break from promoting her new album Speransa, fronted the Peter Beets Trio for a set of contemporary arrangements of music from George Gershwin’s famous opera, Porgy and Bess, that she and Beets put together for the Movement.  Calister is fresh from a stint at the Aruba Caribbean Sea Jazz Festival in the first week of September.

By the end of the two-day event, The Pure Jazz Movement will have put 150 artists on five stages at eight Locations around The Hague.  Apart from the ticketed shows, a free programme and an after party was on tap.

Sources: (1)purejazz.nl; (2) purejazz.nl

About M. Minchie Israel
I have a modest artistic background in the arts, especially in the realms of poetry, theater and radio. I have done a bit of acting as well as writing and directing for the stage before dropping out upon leaving the Caribbean a few moons ago. I am hoarding volumes of crudely-bound poetry dating back to my teenage years. Publishing any of them is not on the cards...yet. I spent a total of seven years moonlighting as a general programming announcer and Jazz jockey, primarily on DBS Radio in the Commonwealth of Dominica back in the eighties and the very early nineties. I did a short stint on Kairi FM in Dominica in the late nineties while "in transit" between Canada, where I completed a five-year programme of study, to the British Virgin Islands where I currently reside. Jazz and Other Improvisations (coincidentally, J.O.I. are my daughter's initials; her name is Jazmin) have become the theme of my life outside of work. I study the history of Jazz with a passion, more so about Caribbean-Jazz and Jazz musicians of Caribbean descent. I spin nothing but Jazz in the CD player, really. Jazz is what excites the pants off me. However, I love listening to national radio stations from the Caribbean and the Americas if for no other reason but to keep a tab on popular musical trends happening in our region and the world over. After all, Jazz musicians are notorious for incorporating pop music sensibilities into Classic Jazz and Blues structures. The Woodshed is meant to attract Caribbean-Jazz artists, Jazz artists born of the West Indies, Jazz producers and programmers, Jazz writers and curators...and of course YOU the aficionado. If you fall into any one of these categories, you really need to reach out to us at The Woodshed to learn about our goals and objectives to build a loose network of Shedders dedicated to sharing every piece of Caribbean-Jazz news there is from around the Jazzosphere. Knock on Wood at the Primary Menu at the top of this blog for all of our Contact information. Please send us a note or an email to let us know that you wish to have a key to the Woodshed. Now...go forth and spread The Jazz.

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