St. Lucia Jazz launches No. 21 (updated with May 05 action)

ST. LUCIA

LAUNCH OF ST. LUCIA JAZZ 2012

Original post, February 08, 2012
Update 2, May 02, 2012

On Thursday, January 26 2012, the twentieth edition of St. Lucia Jazz was launched live on radio and television – for the first time. Stakeholders of the festival gathered ‘in-studio’ at the Sandals Grande St. Lucian Spa and Beach Resort on the Pigeon Island Causeway to await the much-anticipated announcement of the line up for the purportedly pared down event.

As background, St. Lucia Jazz actually started in 1991 as the St. Lucia Jazz Festival, as it was called then. It was – and still is – a marketing ploy to boost tourism in the off-season.

In the ensuing 20 years of its existence, St. Lucia Jazz has become a world-class event that has featured the biggest and heaviest names in Jazz, Cadence, zouk, reggae, pop, R&B and everything in between. Name them and they have been to (Anita BakerBoys II Men, Kenny GRihanna, Santana) and performed at (Boo Hinkson, Luther Francois, Shane Ross, Teddyson John) St. Lucia Jazz.

Speaking at the launch, St. Lucia’s Director of Tourism, Louis Lewis stated that the country has “…every reason to be proudIt has not been an easy road. We have many challenges.”

Referring to the idea of carrying the launch live, the Director of Tourism rationalised that the goal was to “…reach out to people who cannot participate in the Jazz Festival.”

As for the festival, Director Lewis revealed that St. Lucia Jazz has now opted for a wider embrace of the so-called fringe events – he prefers to call them “community events” – by bringing together the ancillary community organisations that have produced those ‘outfests’ at venues in Castries, the East, South and elsewhere on the island under one banner, one festival, St. Lucia Jazz.

This fresh approach comes with some well-needed changes to the format, the point being that St. Lucia Jazz is no longer living up to the original objectives. To address this issue, a different track is proposed, one that focusses on a tighter festival. The result is a reduction in the number of acts to address the problem of the increasing length of the festival days. With shows ending as late as 10:00 pm at the Main Stage on Pigeon Island for instance, it is felt that the character of the national park has been so stultified as to eliminate the lure of a picnic  and the child and elderly-friendly atmosphere  it fosters.

Regarding the so-called Community Events like Jazz on the Square, it was noted that they have steadily outlived their usefulness. Singling out the Derek Walcott Square (Jazz on the Square), complaints abound that it is hot, parking is limited and the businesses in the area have not embraced it. Apparently, the surrounding business houses are harping on the noise and the perceived disruptions to their mercantile activities. So…the action has been moved to Pointe Seraphine just outside central Castries.

The St. Lucia Jazz producers claim to recognise that the Jazz Festival is not living up to the original objectives, hence the formation of a core group of people who were tasked with the responsibility of doing some brainstorming. They have concluded that the Jazz Festival is not living up to the original objectives and that the focus should be on tightening it up. Therefore, the decision was made to reduce the number of acts in part because the increasing length of the festival days has stultified the event.

As an added incentive for patrons interested in attending the weekend of concerts at Pigeon Island National Park and to cater to the high demand for an “up scale” VIP corporate experience that gives patrons a premium view of the stage, a Gold Pass is being reintroduced.

Looking further forward into the future, St. Lucia Jazz believes some bold steps need to be taken if for no other reason but to reinvigorate the festival and transit this marquee event to something that is more truly St. Lucian.

The expectation is that they will continue to enjoy the logistical support of the sponsors, particularly Platinum Sponsor, Digicel, which has just renewed its association with St. Lucia Jazz for a second three-year term. Digicel’s Country Manager for the Eastern Caribbean, Geraldine Pitt, told the launch party that Digicel is “excited to put on a show as never before” this year, stressing that their sponsorship is gratitude for the support of the St. Lucian people to the company. That relationship, she noted, strengthens the company’s resolve “to provide an avenue to market the event throughout the Caribbean… This is the commitment of Digicel!”

The launch was impressively choreographed and MC’d in spirited fashion. However, if I am afforded one pet peeve, it would have to be the appearance of Mervin Wilkinson and 1090 who was a waste of time, playing pop and reggae at the launch of a Jazz Festival.  The chatterboxes on Scruffy TV agree.

Now for the line up

OPENING: April 30: Mindoo Phillip

Moon River Jazz: (Canaries)

Tuesday, May o1: Ronald Tulle Jazz Project

JAZZ IN THE SOUTH (Labowi Promotions)

April 28: Coconut Bay Resort & Spa: Sisterhood (Barbara Cadet), Loula Trio featuring Ricardo Francois |April 29: Black Antz Jazz Combo, Rupert Lay Quartet, Etienne Charles

Tuesday May 01: Rudy John Beach Park – Cameron Pierre (Dominica/UK) featuring Fred Nicholas (Dominica) Ricardo Francois, Emerson Nurse (both St. Lucia); Miki Telephe (Martinique); Alibi (St. Lucia) featuring Richard Payne, Teddyson John and Francis John; Loula Trio featuring Ricardo Francois; Laborie Steel Pan Project (St. Lucia)

Thursday, May 03: Saint Lucia School of Music, Castries, 4pm – 7pm – Master class with Cameron Pierre, UK-based Dominican guitarist, a stalwart of the British jazz scene since the 1980s, who recently released his fourth CD, ‘Radio Jumbo’.  

Friday, May 04: Independence Square, Vieux Fort – Mushy Widmaier (Haiti); Alchimik’s (Guadeloupe) Cancelled; Sisterhood (St. Lucia)

Sunday, May 06: Coconut Bay Resort & Spa, Gil Tony’k (Martinique) featuring Tony Chasseur and Gilles Voyer; Sakésho with Andy Narell (US), Mario Canonge (Martinique), Michel Alibo (Guadeloupe) and Gregory Louis; Rupert Lay Qtet (St. Lucia); Black Antz Jazz Combo (St. Lucia)

Ocean Club Jazz: (Ocean Club, Rodney Bay, May 02-07)

Wednesday, May 02: St. Lucia School of Music Sextet

Thursday, May 03: Emerson Nurse Quintet

Friday, May 04: Carl Gustave Band

Fond D’Or Jazz: (Dennery)

Saturday May 05: Fond D’Or Nature & Heritage Park – Exile One, Arturo Tappin, Boo Hinkson, Derek Yarde Project

WATERSIDE JAZZ (Caribbean Events at Duty Free Pointe Seraphine, May 07, May 09, May 11)

Monday May 07:  – Clifford Charles, Frantz Laurac Quartet, Alibi featuring Richard Payne

Friday May 11: Nicholas Brancker

MAINSTAGE: (May 09-13)

Wednesday, May 09: Gaiety on Rodney Bay – Ronald “Boo” Hinkson

Thursday, May 10: Gaiety – Luther Francois followed by Mario Canonge

Friday, May 11: Main Stage, Pigeon Island National Landmark – Derek Yarde Project ‘DYP” – En Kweyol

Saturday, May 12: Pigeon Island National Landmark – Alison Marquis Nonet featuring Andy Narell

Sunday, May 13: all-star cast of Richard Payne (St. Lucia), Joel Widmaier and Jean Caze (Haiti), Sonny Troupe (Guadeloupe) and of the The Wespe Pour Ayiti Project; Hugh Masekela

Jazz on the Grill: (Fire Grill and Lounge Bar, Rodney Bay, May 07-09, May 11, May 14)

Monday, May 07: St. Lucia School of Music

Tuesday, May 08: Rob Zii & The Vibe Tribe

Wednesday, May 09: Carl Gustave & BMF Band

Friday, May 11: Luther Francois, Emerson Nurse Band

Monday, May 14: The Encore (Jam Session)

JAZZY RHYTHMZ: (JQ Rodney Bay Mall, May 07-11, May 14)

Tuesday, May 08: Boo Hinkson and Friends

TEA TIME JAZZ(La Place Carenage, May 09-10)

Wednesday, May 09 – The Black Antz Combo


Jazz on the Bay: (Rodney Bay, May 04)


CARELLIE JAZZ, May 01: Carellie Park – Sisterhood, Ricardo “Ricky” Francois, Royal St. Lucia Police Band, Cornell Phillip

 

About M. Minchie Israel
I have a modest artistic background in the arts, especially in the realms of poetry, theater and radio. I have done a bit of acting as well as writing and directing for the stage before dropping out upon leaving the Caribbean a few moons ago. I am hoarding volumes of crudely-bound poetry dating back to my teenage years. Publishing any of them is not on the cards...yet. I spent a total of seven years moonlighting as a general programming announcer and Jazz jockey, primarily on DBS Radio in the Commonwealth of Dominica back in the eighties and the very early nineties. I did a short stint on Kairi FM in Dominica in the late nineties while "in transit" between Canada, where I completed a five-year programme of study, to the British Virgin Islands where I currently reside. Jazz and Other Improvisations (coincidentally, J.O.I. are my daughter's initials; her name is Jazmin) have become the theme of my life outside of work. I study the history of Jazz with a passion, more so about Caribbean-Jazz and Jazz musicians of Caribbean descent. I spin nothing but Jazz in the CD player, really. Jazz is what excites the pants off me. However, I love listening to national radio stations from the Caribbean and the Americas if for no other reason but to keep a tab on popular musical trends happening in our region and the world over. After all, Jazz musicians are notorious for incorporating pop music sensibilities into Classic Jazz and Blues structures. The Woodshed is meant to attract Caribbean-Jazz artists, Jazz artists born of the West Indies, Jazz producers and programmers, Jazz writers and curators...and of course YOU the aficionado. If you fall into any one of these categories, you really need to reach out to us at The Woodshed to learn about our goals and objectives to build a loose network of Shedders dedicated to sharing every piece of Caribbean-Jazz news there is from around the Jazzosphere. Knock on Wood at the Primary Menu at the top of this blog for all of our Contact information. Please send us a note or an email to let us know that you wish to have a key to the Woodshed. Now...go forth and spread The Jazz.

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